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ALBUMS

ISSUE 4

“…facilitates a Twilight Zone spookiness, sounding like they’re coming in on the airwaves via a jittery short circuit” – Barry O’Sullivan

“This is unhurried music, full of space, redolent with emotion.” – Des Cowley

“…has a peaceful quality that makes the collection quite distinctive.” – Michael Prescott

“The album is both exquisite and haunting, and is as beautiful as it is daring and experimental.” – Julia Messenger

Gemma has composed melodies you will find yourself humming days after your last listen.” – Josh Underhill

“Up-tempo groove vignettes provide something for the ear to latch on to and become more than pure sound experiment.” – Josh Underhill

“…superbly handled by Fitzgibbon and delivered with the required suitable panache.” –  Barry O’Sullivan

“This album has a high emotional content often missing in music today.” – Michael Prescott

ISSUE 3

“jaunty, cheerful and swinging approach” – Michael Prescott

“a wonderfully imaginative debut recording” – Julia Messenger

“fluidly melodic and constantly inventive” – Barry O’Sullivan

“…Keller’s visionary approach, something akin to alchemy” – Des Cowley

“This is a killer recording by an exceptional ensemble” – Barry O’Sullivan

“excellent arrangements and great playing” – Michael Prescott

“melodic, memorable, powerful” – Michael Prescott

“within the folds of the trio’s interactions that the magic lies” – Barry O’Sullivan

ISSUE 2

“a highly successful jazz-classical hybrid” – Jessica Nicholas

“one fine Australian quintet” – Julia Messenger

“atmospherically inspired masterpiece of modern jazz” – Barry O’Sullivan

“a bravura performance, virtuosic and dazzling” – Des Cowley

“an abundance of very fine jazz” – Barry O’Sullivan

“bright and cheerful… the perfect tonic to these lockdown times” – Michael Prescott

“a fine example of contemporary jazz for orchestra” – Barry O’Sullivan

“simply great drumming, never in the way but always driving” – Michael Prescott

ISSUE 1

“a truly sonic haven” – Barry OSullivan

“a captivating journey of skill and finesse” – Julia Messenger

“achingly gorgeous” – Barry O’Sullivan

“perfect balance of relaxation and toe tapping goodness” – Don Mayne

“pushing into new territory” – Des Cowley

“an ensemble to be admired” – Barry O’Sullivan

“a compelling new voice in Australian jazz” – Des Cowley

“sublimely surreal ethereality” – Roger Mitchell